Mildred’s Lane, an arts environment created in Pennsylvania by my friends J. Morgan Puett and Mark Dion, holds a very special place in my life. A tiny bit of it was recreated as part of a show in MoMA’s Education and Research Building; as if a corner of Mildred’s Lane got teleported to 54th Street. An iPod on a shelf loops fifteen of my movies: three recent finger paintings done at Mildred’s Lane, plus several shorts shot there, or elsewhere but featuring some of its key players.